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Another benefit of the curatorial approach is that there is no ‘house style’. The PHYX keyer is one of the best plug-in keyers around and, for something a bit more unusual, Ripple Training’s Callouts for FCP X is fun. I’m a particular fan of Yanobox Nodes, which generates visualisations of data and connections using nodes and lines. The third party effects are, in the main, excellent – a benefit, perhaps, of the curated nature of selling through Noise Industries. It’s messy, and certainly not as slick as FCP 7 or X, but it works. They can then be applied to the incoming clip and composited with the outgoing clip (you control the transition length by razor blading the incoming clip or by keyframing). The transition plug-ins show up as Effects in Premiere, rather than transitions.
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However, in FxFactory Pro 4, Noise Industries have come up with a workaround. It doesn’t support any of the transition effects – this is a limitation of Premiere, not of FxFactory.
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One thing you will notice, however, is that none of the transitions appear in the Video Transitions folder in Adobe’s Premiere Pro 6.
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Your NLE or graphics software will then only present you with the options you have bought.
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Fortunately, through the control application, you can disable plug-ins individually or turn off all the trial packages. The default installation enables trial versions of all the plug-ins available through FxFactory.
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For a full list, check out There are also some great third party freebies, like Andy’s Safe Guides (action and title safe overlays including the BBC/EBU specification). There are blurs, glows and colour correction effects, some distortion filters and surprisingly good generators for noise, halos and so on. The FxFactory included effects are simple but useful. Prices range from $29 to $99 – at the upper end, you’re often getting a package of effects, like Sugarfx’s lovely Lens Flare package. Running the control application gives you a single window from which you can download free plug-ins, and purchase costed ones.
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Installation is straightforward, loading both the control application, and the default plug-ins (into the appropriate places for each supported NLE/Graphics package). To make it worse, all this is in a package which is appallingly easy to use. Faced with a sequence that needs a bit of spicing up, the glossy options that FxFactory offers can leave you catatonic with indecision. As well as the Noise Industry effects, FxFactory allows in-app purchasing of plug-ins from a variety of developers (Yanobox, Stupid Raisins, Nattress, Dashwood, PHYX, Idustrial Revolution and Luca to name just a few). The basic installation gives you 176 filters, generators and transitions for Adobe Premiere Pro, After Effects, Final Cut Pro 7 and Motion, and 160 for Final Cut Pro X. If you suffer from Option Paralysis, for gods’ sake don’t buy Noise Industries’ FxFactory Pro 4. Which one to choose? One that’s easy to park in, or one nearer the lifts? Or perhaps it would be better to be near the pay-and-display machine? You have to make a decision – it’s terrifying. But drive into an empty car park, and the choice of all those possible parking places paralyses you. You circle endlessly up those concrete ramps until you spot an empty slot, park up, and Bob’s your Uncle. When you drive into a car park that’s almost full, it’s easy. ADAM GARSTONE finds his favourites amongst a nicely curated approach to VFX delivery. “The third party effects are, in the main, excellent – a benefit perhaps of the curated nature of selling through Noise Industries.”įxFactory Pro 4 brings together hundreds of VFX that you didn’t know you ever needed, so a huge slice of decision making process is needed to choose, especially from the for sale third party offerings.